Postmodernism is dead
British writer Edward Docx, writing for the UK base Prospect
Magazine, has announced to the world, “Postmodernism
is dead.” How does he know? He points to the upcoming weekend, September
24th, when the Victoria and Albert Museum in London opens up its new
exhibit: “Postmodernism—Style and Subversion 1970-1990.” Clearly if we have beginning
and ending dates to a period it must be over. Right?
…[T]he notion of a single, overarching view of the world—a dominant narrative (or to use the jargon, meta-narrative)—vanishes. There is no single narrative, no privileged standpoint, no system or theory that overlays all others. Hence, Lyotard argued, all narratives exist together, side by side, with none dominating.
With the equalizing of all narratives, no narrative can
outpace other narratives. This has been a blessing and a curse. It has allowed
greater discourse from minority voices, empowering them to speak up and come to
the civic table with their views. At the same time, it means there is no longer
a standard and criteria of excellence. Who gets to say something is good or
true or beautiful? With the equalizing of all narratives, we also get the
inability to speak up against terrorism, injustice, and other ills of the
world.
Making things more difficult is that with no meta-narratives,
humans have to now construct their identities with not much more than basics of
class, gender, religion, sexuality, and maybe some other bare situational
criteria. Humans are not mysterious and special, but socio-constructed and
therefore determined. Clearly this is not something to mediate on for long.
The unintended consequence of
postmodernism is that nothing else matters except the marketplace--money rules.
The only way people judge meaning today is through the market. Artists use to
ask, “What are you trying to say?” Now it is, “How many have you sold?” By
removing all criteria of excellence, we are left with nothing but the market to
rule us. The tyranny of the majority
through the marketplace is the opposite of the liberating equality of all
narratives. This is not what postmodernism
intended.
So what is happening now? The internet may be a clue. Perhaps the most postmodern tool out there is cyberspace. Here is a place where every view is heard, every blog has an opinion, and every Facebook page speaks a story. The internet completely relativizes all narratives. It would be a great place for social activism or even social revolution, but that isn’t what we find there. It is social media, Facebook, Twitter, Email, LinkedIn. The search for meaning, and relationship is everywhere on the internet. The world of postmodernism has birthed a new yearning for authenticity. That is the growing desire out there. Docx says, “We desire to be redeemed from the grossness of our consumption, the sham of attitudinizing, the teeming insecurities on which social networking sites were founded and now feed…If the problem for the postmodernist was that the modernist had been telling them what to do, then the problem for the present generation is the opposite: nobody has been telling us what to do.” It is no wonder that we yearn for authenticity.
So what is happening now? The internet may be a clue. Perhaps the most postmodern tool out there is cyberspace. Here is a place where every view is heard, every blog has an opinion, and every Facebook page speaks a story. The internet completely relativizes all narratives. It would be a great place for social activism or even social revolution, but that isn’t what we find there. It is social media, Facebook, Twitter, Email, LinkedIn. The search for meaning, and relationship is everywhere on the internet. The world of postmodernism has birthed a new yearning for authenticity. That is the growing desire out there. Docx says, “We desire to be redeemed from the grossness of our consumption, the sham of attitudinizing, the teeming insecurities on which social networking sites were founded and now feed…If the problem for the postmodernist was that the modernist had been telling them what to do, then the problem for the present generation is the opposite: nobody has been telling us what to do.” It is no wonder that we yearn for authenticity.
Working with college students in New York, the highest ideal
is—Are you real? Do you tell it how it is? Perhaps this is the same reason why
so many brands are now going green and sustainable. Seeing that consumers want
authenticity they will market ethics and good will.
Indeed we are past the age when
relativizing all narratives seems to bring about the greatest good. Now we are
asking, what narrative out there brings values and authenticity that will lead
to human flourishing? When comparing the possible choices out there, the
Christian narrative has more than a fighting chance.
At City Campus we try to discuss the Christian narrative and compare it to other meta-narratives to see how each one fairs in light of real world issues.